When Wenlock and Mandeville, the official mascots of the London Olympic Games, were unveiled to the world in May, the general reaction was one of bemusement. These stumpy, one-eyed, metallic-skinned creatures, the organisers explained, had formed out of stray drops of molten steel during the construction of the Olympic stadium, but most of the public and media simply interpreted them as aliens.
What do monocular extraterrestrials have to do with the Olympics? A year earlier, the 2012 Olympic logo was greeted with a similar mix of derision and puzzlement. Jaded observers passed off these designs as sorry reflections of the state of British creativity, but a small minority had a very different answer: we were being primed for the establishment of the New World Order, by means of the greatest hoax in history.'
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